Orchestras - the basics

Part I

Where did orchestras come from?

Although we can be sure that people have been organising sounds to make music for hundreds of thousands of years, we know little about the music they created for most of this time. This is because there was no way to write down sounds, so music could not be stored or shared without being played. It was only about 1,000 years ago that we found effective ways to write down sounds - and share music with other people without having to play it to them.

Once we had done this it became possible to explore all kinds of new ways to combine sounds. If this seems hard to understand, imagine that you would like someone to build a garden shed for you: you could explain to a builder where you wanted it, discuss size and colour and it could be built quite easily. If you wanted to build something large, though, such as a cathedral or a palace, then it would be impossible without detailed written plans. These would have to be created by an expert, someone who understands how to plan and construct large structures so that they don't fall down.

Just as making written plans for building led to a profession of expert designers of large buildings - architects - it was writing music down which led to the development of a profession of expert designers of large structures made using sounds - otherwise known as composers.

Some people have always liked to pursue new ideas - for example the internet is changing our lives now - and whatever people do they usually try to gradually improve things - to make them bigger, better, faster or in some other way different from what is already available.

Gradually, over hundreds of years, composers started to explore new ways to combine sounds to make music and they wanted to use larger and larger groups of musicians. This is probably the main reason for the birth and development of orchestras around 300 years ago. Over the following two hundred years, the usual size of the orchestras composers wrote for increased steadily from fewer than twenty musicians to groups numbering more than a hundred players by the early twentieth century.

 

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© English Classical Players 2005